Trying To Get To You

Showing posts with label Max Weinberg. Show all posts
Showing posts with label Max Weinberg. Show all posts

Friday, December 12, 2008

Bootleg Friday: Bruce Springsteen & Friends, 2000-2003

My favorite live rock and roll memories have come from Bruce Springsteen, and some of my favorite live Springsteen moments have come from the Christmas shows he did in the first half of this decade with the Max Weinberg 7 and assorted friends at Convention Hall in Asbury Park. Joyous, exuberant and soulful, filled with friends (various E Streeters, Southside Johnny) and special guests (Elvis Costello in 2001, Sam Moore in 2003), these shows have been celebrations of the Asbury Park sound, a soul/rock hybrid that at its best can leave you crying and shaking your ass simultaneously.

At the first Bruce Springsteen and Friends show on December 17, 2000, no one knew quite what to expect. What came was, if not shocking, a night of one "holy shit" moment after another: A country version of "Blue Christmas;" A killer, horn-led version of "Lucky Town;" Listen to the crowd explode when the horns play the intro to "The E Street Shuffle," and the screams of joy that emerge when Bruce plays the first notes of "Kitty's Back," not played since September, 1978. Little Steven and Bruce killed on the great "Until The Good Is Gone," from Steven's Men Without Women album. And then there was the debut of "My City Of Ruins," pre-9/11, which the audience fell in love with from the first chorus of "Rise up!"

In 2001, the crowd had a better idea of what would happen, so Bruce started bringing out more guests. Bruce Hornsby and Elvis Costello appeared at the show on December 8, 2001 and Hornsby plays some, uh, interesting accordion on a hilarious and great cover of Hot Chocolate's "You Sexy Thing," led by Springsteen. And Elvis Costello does a touching acoustic version of "Alison," with Bruce on background vocals in the choruses, leading into "Tracks Of My Tears"/"Tears Of A Clown." Southside Johnny does a great mini-set, especially on the sublime Springsteen-penned 1977 ballad, "Love On The Wrong Side Of Town."

2003 was my favorite year for the holiday shows for one reason: Sam Moore. I went to the first night, and seeing Sam and Bruce play together was pure joy and ecstasy. "When Something Is Wrong With My Baby" was astonishing; from the way that it was obvious that Sam still had it, and for Bruce's harmonies. Bruce debuted a beautiful cover of "(What's So Funny) 'Bout Peace Love and Understanding," that he would take out on the road for the Vote For Change tour the following fall. A great, great night.

Going to see Bruce in Asbury is akin to seeing Santa at the North Pole. These were joyous shows that brought the Christmas/holiday spirit like few things I've ever experienced. I hope Bruce and friends revive this tradition. It's a great one. If you're into the soul aspects of Springsteen, these shows are nirvana.

Download: "Blue Christmas" 12/17/00, Asbury Park, NJ
Download: "Lucky Town" 12/17/00, Asbury Park, NJ
Download: "The E Street Shuffle" 12/17/00, Asbury Park, NJ
Download: "Kitty's Back" 12/17/00, Asbury Park, NJ
Download: "Until The Good Is Gone" (Little Steven) 12/17/00, Asbury Park, NJ
Download: "Merry Christmas Baby" 12/17/00, Asbury Park, NJ
Download: "Christmas (Baby Please Come Home)" 12/17/00, Asbury Park, NJ
Download: "My City Of Ruins" 12/17/00, Asbury Park, NJ

Download: "You Sexy Thing" 12/8/01, Asbury Park, NJ
Download: "Intro" (Elvis Costello) 12/8/01, Asbury Park, NJ
Download: "Alison" (Elvis Costello w/Bruce Springsteen) 12/8/01, Asbury Park, NJ
Download: "Tracks Of My Tears"/"Tears Of A Clown" Elvis Costello w/Bruce Springsteen), 12/8/01, Asbury Park, NJ
Download: "This Time It's For Real" (Southside Johnny) 12/8/01, Asbury Park, NJ
Download: "Love On The Wrong Side Of Town" (Southside Johnny) 12/8/01, Asbury Park, NJ
Download: "It's Been A Long Time" 12/8/01, (Southside Johnny) Asbury Park, NJ

Download: "Hold On, I'm Coming" (Sam Moore w/Bruce Springsteen) 12/8/03, Asbury Park, NJ
Download: "When Something Is Wrong With My Baby" (Sam Moore w/Bruce Springsteen) 12/8/03, Asbury Park, NJ
Download: "I Don't Want To Go Home" (Southside Johnny) 12/8/03, Asbury Park, NJ
Download: "(What's So Funny) About Peace Love And Understanding" 12/8/03, Asbury Park,
NJ
Download: "Santa Claus Is Coming To Town" 12/8/03, Asbury Park, NJ

Monday, May 12, 2008

A Three Week Dispatch

Oh dear readers. Did you think that I had abandoned you? Never. I just, well…never mind the explanation. Here are some random recaps from the last three weeks:

One Tuesday morning a couple of weeks back, I’m standing on the platform waiting for the 6 train. A few feet away from me is a doo wop group comprised of four black men in their 50’s. At first, I pay them no mind, but then they start singing the Persuaders classic, “Thin Line Between Love And Hate,” and everything shifts. They nail the opening harmonies and I break into an enormous grin that is returned by one of the singers and I start singing along to myself. The fact that I know both the lyrics and the exact phrasing of the vocals is recognized by the quartet and now they’re all nodding and smiling at me, which in turn, is to be noticed by more than a few people on the subway platform – who begin to rain change upon the quartet, looking utterly mesmorized. The song ends and applause rains down on the singers – just as the subway comes. I bow to the quartet who bow in turn to me. One of life's great little moments.

* * *
I went to Atlanta on April 25 to see Springsteen & the E Streeters, which, in the wake of Danny Federici’s death, I found somewhat depressing. The show began with a video tribute to Danny, which was lovely. What was sort of sad was that it was clear that a good 60% of the audience had no idea who Danny was. People chatted, yelled “Bruuuuuuce,” chatted on their cell phones (easily the most annoying occurrence at any concert) and impatiently waited for the show to start. It really pissed me off and put me in a foul mood for most of the night.

Springsteen looked understandably exhausted and played one of the most random set lists I’ve ever heard him perform. Some nights are magical and some nights aren’t; this night definitely fell into the latter category. But Max Weinberg played perhaps the finest drums I’ve heard him play. I’m frequently critical of Weinberg; he often plays way too rigidly for my tastes. But on this night, he seemed to take it upon himself to provide the momentum for the band, and he played with a combination of power and groove that was masterful.

* * *
I’ve been listening to a lot of different stuff: Santogold (thumbs up), a leak of the new My Morning Jacket (I like it, but I don’t believe that this is the breakthrough that’s been predicted for them – the songs aren’t strong enough), Jamie Lidell (I like the soul vibe, but it feels a little generic), Madonna (a couple of strong tracks, the rest sounds mediocre to drecky to me) , the Kooks (utterly forgettable) and the new Death Cab For Cutie, which upon a couple of listens, I found far more enjoyable than I thought I would.

And all of the above pale in comparison to the 15 disc Chess Records 1947-1975 box set I got last month. It’s 15 discs of magical American music – blues from Muddy Waters and Howlin’ Wolf; r&b from Etta James and a holy host of others and rock from Chuck Berry and many, many more. Each song feels like a gem and it makes the strongest case for Chess being utterly the equal of Atlantic during this particular era. It rewards upon repeated listening – the only danger for me is that it makes everything else sound, well, vaguely unnecessary.

* * *
And finally, being a political junkie and having followed the campaign a little more closely than I’ve needed to, I really wish Hunter S. Thompson were alive and in good form to chronicle it and savage what needs to be savaged. Watching Hillary Clinton’s metamorphosis from the candidate of experience to working class hero has reminded me like nothing else is that the one true guarantee of success in American life is to be utterly shameless. Her campaign has reminded me of a Richard Nixon affair; the seething resentment, the vindictiveness, the ruthlessness and the willingness to say anything to get elected, no matter what. Perhaps that’s true of most, if not all campaigns. The difference is that Clinton, like Nixon, actually gets off on it. Beware of sexless people. They’re dangerous.

Monday, January 07, 2008

Strange Dreams: Me And The Beatles

I've been sick with a pretty bad cold the past few days. It's not fun, but the silver lining is that when I'm sick, I have very strange dreams which I almost always remember. (When I'm well, I almost never remember my dreams.)

Anyway, last night I dreamed I was in the Beatles. I was the piano player, which is kind of weird, because I don't even play piano. The setting was 1961. I was in the audience at the Cavern Club (the band was still in the black leather period) and after one of their sets, I went up to John Lennon and told him that they needed a piano player who could "play like Jerry Lee Lewis," and that I was the guy for the gig. I forget exactly what he said, but the next thing I know, I'm playing "High School Confidential" with the Beatles. (In the dream, Ringo was already drumming for them, even though he didn't join until August, 1962. But hey - who cares? It's a dream.) Anyway, John loved it, George and Ringo were pretty psyched as well, and Paul was pretty cool to the whole idea. But I got in. As dreams go, it was a pretty excellent one.

That's all I remember. Maybe tonight I'll dream that auditioned to be the drummer in the E Street Band in 1974 and that I beat Max Weinberg for the gig.